New Unique Stock Photo Galleries added to the Library

I’ve been plotting and scheming – trying to showcase stock photographs I have that are unique in one way or another.

So I’ve put together a few new galleries. There are a couple of topics to disseminate:

San Francisco, CA (Michael Halberstadt)
Stock Photo of Slightly Elevated view of Cable Car turnabout – San Francisco, CA (Michael Halberstadt)

Unique Technique: Unique slightly aerial perspective
This is looking slightly down using a special secret technique) I’m calling that Looking down at ______. I’ve got a gallery setup in that category for Silicon Valley and Seattle (and environs.)

Seattle (Michael Halberstadt)
Stock Photo: Slightly Elevated view of the Original Starbucks, Seattle (Michael Halberstadt)
Extremely High Resolution Stock Photograph Landscape with Lone Oak Tree (printable at ca. 20' x 10' @ 100 ppi un-upresed) (Michael Halberstadt)
Extremely High Resolution Stock Photograph Landscape with Lone Oak Tree (printable at ca. 20′ x 10′ @ 100 ppi un-upresed) (Michael Halberstadt)

Unique Technique: Very, Very large files
I’ve been working on expanding my really large files library. I can also do custom shots as needed. I’ve got a few photos that are in the gigapixel range.

 (Michael Halberstadt)
Stock Photo: Silicon Valley Skyline (prints about 5’x11′ @100ppi uninterpolated) (Michael Halberstadt)

I’m tempted to overdramatize this process as I found here with this Bentley ad. Basically it’s a bunch of bullshit, here’s a snippet of how they make their technique sound interesting:

Impressive, eh? Bentley created the massive photo by stitching together 700 separate photos using NASA’s panorama stitching technology — the same kind used to create panoramas of Mars shot by the Curiosity rover. In all, the project took 6 months to plan, 6 days to shoot, and 2.5 months to retouch.

“An incredible 4,425 times larger than a typical smartphone image, this extraordinary photograph is made up of approximately 53 billion pixels (or 53,000 megapixels),” Bentley writes. “The result, if reproduced in standard print format, would be the size of a football field.”

But this is using the same gear I’ve got. Plus it’s not sharp, except the car. And the car shot has so much detail it has to be fake. If the photo was made as they claimed almost a kilometer away in an area where there’s also always wind, this just isn’t possible. The photographer here was Simon Stock (the photographer equivalent of a “porn name”- a surname “stock.”) I guess the lesson to learn here is that gross exaggeration (or worse) is how to sell yourself and product.

Oakland (Michael Halberstadt)
Stock Photo of the 9th Ave. Terminal (Brooklyn Basin) Oakland (Michael Halberstadt)

Unique Technique: Long Exposure
My setup allows me to take really long exposures, even during the day. This can make for a really unusual look- especially when the main subject is stationary: architecture, landscape etc and also includes motion: water, clouds, etc.

Bay Bridge Stock Photo (Photographer: Michael Halberstadt)
You Can’t Take this Photo anymore (taken from the demolished old section)Bay Bridge Stock Photo (Photographer: Michael Halberstadt)

Unique Access:
This is where I’ve been able to photograph with special access. For example I managed to gain access to some high rises in San Jose and Oakland and get some really unique shots, or the San Francisco Bay Bridge during construction and BART with a tripod.

 (Photographer: Michael Halberstadt)
Bank of America (former Bank of Italy) Landmark Historic Building in downtown San Jose (Photographer: Michael Halberstadt)
Embarcadero BART Station (Michael Halberstadt)
Stock Photo: Embarcadero BART Station (Michael Halberstadt)

And of course there’s all the usual stock photo stuff. Let me know if you don’t find what you’re looking for. I added a new item to the SiliconValleyStock webpage to make photo requests. Due to some changes at my old stock photo library to which I contributed, I’m gonna have to be much more proactive about selling my own work.

Wish me luck!

From the Archive: San Francisco Oakland Bay Bridge From the Middle Lane

Almost Impossible: Long Exposure from the Center Lane of the Bay Bridge
Almost Impossible: Long Exposure from the Center Lane of the Bay Bridge

I still have to pinch myself. Did this really happen? Right before the official opening of the new Eastern Span of the Oakland – San Francisco Bay Bridge a friend let me in with his special access.

Bay Bridge Stock Photo

We drove around on an almost empty bridge free of all but construction and CHP traffic. We stopped pretty much wherever we wanted. Nights we could even set up our tripods right in the middle lane of the bridge and make long exposures.

Bay Bridge Stock Photo

My friends at Oakland Magazine previously got me press access onto the Bay Bridge on a wet and windy night to document the LED art installation. We could setup our tripods for this access, which was nice. But since there was still auto traffic, the bridge shook and long exposures were fruitless.

San Francisco - Oakland Bay Bridge (Photographer: Michael Halberstadt/Michael Halberstadt)
San Francisco – Oakland Bay Bridge Press Event for LED Light Installtion (Photographer: Michael Halberstadt/Michael Halberstadt)

I could have kept shooting there for weeks if they let us. These are the views photographers like me find so beautifully frustrating: so beautiful, yet unattainable. It’s what we see stuck in traffic and think if only I could just park my car and pull out my camera.

Bay Bridge Stock Photo

My parting shot was a long exposure disturbed by a CHP call to “leave now” minutes before the official opening.

The CHP came by and said get off now- we're about to open to the public. I picked up my tripod and headed to the car while still exposing. (Photographer: Michael Halberstadt)
Parting Shot: The CHP came by and said get off now- we’re about to open to the public. I picked up my tripod and headed to the car while still exposing. (Photographer: Michael Halberstadt)