Years, make that decades ago while shopping at Streetlight Records in San Jose, I recall a punk album spoofing the “San Jose is Growing Up” theme title “San Jose is Throwing UP.” That reminded me of the original slogan- which rings more true than then. San Jose is finally getting some real big developments downtown.
This became especially evident as I was walking around Saint James Park in Downtown San Jose. A giant crane (apparently operated by the company Bigge based on the signage) was setting up a huge crane.
I saw an opportunity to get some nice silhouettes of the base of the crane being assembled. First I whipped out my 100mm lens, the longest lens I had in my bag. It so happened that I had my newish Sigma Contemporary 150-600mm in the car so I headed to go grab it.
On my return I noticed a unique juxtaposition with the steel base of the frame of the crane assembly and the iconic Bank of Italy (or as the kids now call it Bank of America) building. Depending on the framing, it looked as though the crane was dwarfing the tower of the BOA building, but that’s only an illusion based on my location.
I did a little research, but am not sure what’s being built on the spot. But it looks like it’s gonna be tall whatever it is!
Truth be told, I was really out testing a new lens. I had just received a Sigma 150-600mm Contemporary lens and wanted to get a few test photos with my Sony A7RII and MC-11 kit. Uncharacteristically the weather here in Silicon Valley has been very wet and I had little chance to play.
So I made a quick trip to the Alameda side of Oakland Estuary, a spot with great views of the Port of Oakland with all the containership and tugboat traffic.
But being a weekend- there wasn’t too much going on.
So I headed over to Alameda’s “Booze Alley” a row of alcohol themed businesses facing past the old NAS runway with spectacular views of the San Francisco skyline. I was just in time for the sun to drop past the almost finished Salesforce Tower (tallest building on the West Coast- or so I have read.) Standing on a bit of concrete debris I was able to get my new large lens over the fence in the Faction Brewing Company parking lot.
I made a point of framing for type- leaving room on the sides or top hoping for a future magazine or book cover.
After the sun went down, I drove further along the waterfront on the old decommissioned base and managed to get a few long exposures in.
I still have to pinch myself. Did this really happen? Right before the official opening of the new Eastern Span of the Oakland – San Francisco Bay Bridge a friend let me in with his special access.
We drove around on an almost empty bridge free of all but construction and CHP traffic. We stopped pretty much wherever we wanted. Nights we could even set up our tripods right in the middle lane of the bridge and make long exposures.
My friends at Oakland Magazine previously got me press access onto the Bay Bridge on a wet and windy night to document the LED art installation. We could setup our tripods for this access, which was nice. But since there was still auto traffic, the bridge shook and long exposures were fruitless.
I could have kept shooting there for weeks if they let us. These are the views photographers like me find so beautifully frustrating: so beautiful, yet unattainable. It’s what we see stuck in traffic and think if only I could just park my car and pull out my camera.
My parting shot was a long exposure disturbed by a CHP call to “leave now” minutes before the official opening.